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That’s why you need a second volume specifically a lower one. Why? Because your ears will get used to hearing things the way they are and get lazy. The key though is to not work at this volume the entire time. Make note of it on the volume/output knob on your interface.
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This will be your first volume, at which you’ll do most of your mixing. You want to both protect your hearing and not fool yourself into thinking your mix is better than it is. You should be able to hear things just fine, but it shouldn’t be cranked. When you first sit down to fire open your mix, put on your headphones and find a comfortable overall volume. But after implementing these three simple strategies I’m about to share with you, the remaining days of mixing on headphones became very effective – and fun! Strategy #1 – Work At Two Volumes The kick drum was way over powering, the low mids were all off, and the vocals didn’t sit where I wanted them. To be completely honest my mix on Day 1 was a little rough. I spent four straight days mixing in likely the most non-ideal circumstances – and yet I’m really liking how the mixes are turning out. Via David Blaikie Flickr A Week Of Headphone MixingĪll last week I found myself mixing an EP on my laptop entirely with headphone (at a coffee shop no less!). And I don’t for a second believe that should hold you back from getting a great mix. But sometimes headphones is all you have to work with. In an ideal world, you would mix primarily on a simple set of studio monitors and then simply check that mix on headphones. Do you find yourself having to mix exclusively on headphones? Are your mixes coming out all wacky? I think I can help.